前身(shēn )是(🍅)皇軍軍港(gǎng )的吳港(gǎng ),戰後成為船塢工(gōng )人的生(shēng )(😘)活煉獄(🛍)。在資本家剝(🎺)削和枯(kū )燥生(shēng )活的(de )雙重(chóng )(🍖)煎(🔬)熬下,躁(zào )動的年輕(qīng )生命,一頭栽(zāi )(❣)進(🌗)暴力漩渦,延擱(gē )成(🐿)長,終日在(zài )打鬥、(🎡)賭博、酗酒中尋(xún )找(🥄)暫時的麻醉。吉田喜重通過工(😚)頭之眼(🙁),對不合(hé )理的社會現實作(🤷)出欲迎還拒的(de )批判,被視為日本新(xīn )(⏯)浪(😞)潮(🖲)代(dài )表作之一。香山美子(zǐ )飾演純真(📙)的酒館女(🏂)待(dài ),同情工人卻(què )慘(🙀)被強(qiáng )姦,正與負的(de )能(🥫)量(liàng )(🤷),在大(dà )時代中比拼互滲,可有超(chāo )(🎋)越(yuè )對與錯,是與非(⚾)的位(🌮)置(👣)?(🗳)片(piàn )末火車(chē )站送別一場,在家(jiā )和社會之(😊)間,吉(🏻)田喜(🌹)重(chóng )作出了左翼的選擇(zé )。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (💝)- SummerIFF 2007