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一直(zhí )作為米路斯(sī )．(⛲)科曼劇本鐵三角（另一位是(🕋)帕培錫，也是(🕰)本片編劇之一）(🎹)成員的艾(ài )雲．巴薩(🏴)，當然也(yě )走(zǒu )低度戲劇路線(xiàn )(🎲)。同是(🌗)音樂家的彼德與(yǔ )卡洛(🕔)老(lǎo )(🔸)友重逢(féng )(🤷)，生活狀況大(👁)不(bú )同(tóng )，你有伴侶我有家庭，然而都(🎫)有(🥞)說(shuō )不出的不(🙁)明朗(lǎng )(🚸)，唯有(yǒu )(🐶)以(🥀)酒(jiǔ )與音(😱)樂代(🤷)替口水。全(🌙)片(📎)推(🧚)展不問目的，只在剎那間的意圖，行行(háng )(🌊)企企比起科曼更義(yì )無(wú )反顧，卻有(🤸)生活淡如流水的詩意(🎾)和(hé )繆思，叫觀眾聯想到(🚻)二十年(⛳)後的伊力．盧馬。巴薩鍾愛音樂的(de )程度(🌮)不下(xià )於文(wén )字(zì )(❕)和電影(💔)，古典音樂與民間音(🦇)樂於全片(🏻)迴(huí )(🐛)轉迴盪，難怪成了奇斯洛(luò )夫斯(📟)基十大心愛電影之一。 (🔍) 康城(chéng )影展青年評審團獎，美國全國影評人(rén )協會特別(bié )獎 (👄) 這(🖍)部1966年的(de )珍(zhēn )品(pǐn )，是(shì )捷克新浪潮短暫生命中最(zuì )佳作品之一。成(🤼)名(míng )(❓)音樂家到小(xiǎo )鎮探(🚤)訪舊(🍹)同學(🏸)，舊(jiù )同學是個窮音(yīn )樂教師(🍯)，有(yǒu )時在喪(🚪)禮(lǐ )上(🐱)吹(chuī )奏樂曲。平(⛅)凡的素材在(zài )巴(bā )素手裡，變出(chū )風趣(♊)復(fù )(👆)罕(hǎn )見(jiàn )(🏗)的旋律，一部憂(yōu )鬱的喜(xǐ )劇，或灰(🏗)色(sè )喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (🛤) (😡)Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (✔)- Elliott Stein, Village Voice (👚) Source HKIFF Czech New Wave 2006
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