剧情简介
一(yī )個腦海(hǎi )充滿(mǎn )(✒)哲思的人，面(🐌)對400噸的(😘)石(shí )頭以及原(🕰)始空(🤴)間(🍥)與時間(jiān )(🎗)的思考。 當藝術(🔬)家(jiā )展(zhǎn )望向(xiàng )(🥩)我(💤)講述他的(🌫)作(👋)品"我的宇宙"草圖時，我的腦海(🙍)中(zhōng )只(zhī )能形(🥄)成模糊的(de )概念。他計畫爆(bào )破一塊巨石，用高速攝像(🥀)機從六(liù )個不同角(💞)度拍攝爆炸的(🚣)場面，然(rán )後將(jiāng )六(liù )面(😞)體視頻錄(💱)影裝(🌑)置與碎石(🥎)不銹鋼進行重(chóng )組(zǔ )實(shí )驗。他(🤠)讓我拍(🙄)攝下整個過(guò )程，並說，"人類是不可能(néng )知道(dào )宇宙的起(qǐ )源(🕐)的(de )。"我對(duì )此(cǐ )表(🈁)示贊同(tóng )(💹)，決(🏉)意參與。展望(🚗)執行著他的(➡)計畫，尋找石頭(tóu )，聘(pìn )請爆破(🌼)專家，協調高速攝影團體。但(🈺)當當地(dì )員(😙)警發(⏲)現(xiàn )一名外籍(jí )"記者"正在對這個(gè )(🐖)過程進行(💣)記錄(🚡)拍攝時，村支書收(🔲)回了展望在(🎦)其管轄範(🔪)圍內進行大規模爆破活(huó )動的許可。原本沉浸(jìn )於(🏸)對(❄)天際星體的冥想中的藝術(🔍)家展望(🈂)此時被迫轉向與地(🐅)方(fāng )官(guān )員(✒)的(de )周旋。幾費周(zhōu )章，好事多磨，展(🏗)望最後還是爭取到(⛎)了爆破活動進行(háng )的許(xǔ )可，過程實屬(🍏)不易。到底是對西(🖥)方理性(xìng )與科學的(⛱)嘲(🥈)諷？(📸)找尋生(shēng )命的意義(🌶)？展現當代(🏉)中國(guó )思想？(🧔)抑或僅是展(zhǎn )望(🔚)本人(rén )博(bó )(🤳)雜思想體系中的一(yī )點(diǎn )閃光？ 紀(jì )錄片《石頭紀》之中，宇宙與(yǔ )觀念(niàn )、物(wù )質、社會現實以意(yì )外(🐊)、力氣的方式互相遭(🤬)遇。 When artist Zhan Wang showed Director Richard Widmer his first sketches for the "My Universe" project, the filmmaker could barely grasp his idea. Zhan wanted to blow-up a huge rock, film the explosion from six sides in ultra slow motion, and then recreate the experiment with a six-sided video installation and rock fragments made of stainless steel. And he wanted the entire process filmed. "Humans cannot possibly understand the origin of the universe," hypothesized Zhan Wang, who invited the filmmaker to go along for the ride. Zhan Wang finds his rock, hires pyrotechnics specialists, and coordinates his high-speed video team, but when local police discover that a foreign "journalist" is recording the proceedings, the village's Party Secretary refuses Zhan Wang permission to make a large-scale explosion within his jurisdiction. Instead of contemplating the stars in heaven, Zhan Wang is forced to grapple with local politics. And when Zhan Wang finally wins permission, even the heavens seem to conspire against him. Whether or not you believe in God, recreating the Big Bang will not be such a simple matter. Mocking Western reason and science? Searching for the meaning of life? Projecting a contemporary Chinese ideology? Or is Zhan Wang himself merely a single point of light shot from its source into eternity? LEGEND OF THE STONE tells the story of an artistic encounter with the universe and the unexpected collision of conceptual, material and social reality.
猜你喜欢