故事分成(chéng )三個章(🐽)節:主要(yào )的章節由高達(dá )親自飾演導演,正要(🍥)趕乘(chéng )(🔧)飛機(🎹),在24小時內把一部電影的(de )菲林交給監(jiān )製(🎲);同時(shí )一(yī )隊二人流行(🖲)電(diàn )子(🐿)音樂組合,不斷排練(🕖)歌(gē )曲,最(zuì )後在路上表演;(🚥)另一邊廂,愚笨的大(dà )肥佬(✖)捲入一宗事件(🐶),被神秘女人密切(💞)監視(shì ),最後(hòu )更被(bèi )拘(🥁)捕(🌚)。三段(duàn )(🛑)故事看(kàn )似毫無關(🦗)連(🌑),實(shí )際(㊗)是高達以(🗞)電影來(lái )討論電影(yǐng )(🙌)製作(zuò )和藝術創(chuàng )(👓)作的重要。片(⏰)名看(kàn )似帶有弦外(wài )(🧤)之音,就像高(gāo )達暗示,假如監製(zhì )或其他人要干擾(rǎo )導演的(de )(🗳)藝(🤘)術(🈁)創作,就索性我行我(🛎)素(sù ),忠於自己(🈸)的道路好了(le )。這大概亦示範(fàn )了高(🚶)達(💹)如何純熟地運用(yòng )電(💿)影(🎥)媒體(tǐ )來做評論。 A film in three chapters: Godard plays the director in the main chapter, rushing to catch a plane to pass the negatives to his producer within 24 hours; an electronic duo keeps rehearsing for their roadshow; a clumsy fat man gets involved in an incident, and is arrested after being watched by a mysterious woman. Seemingly unrelated events, Godard is discussing the importance of film producer and artistic creativity. Godard is making the statement that if a producer or anyone interferes with creativity, it is better for the artist to go one's own way. A showpiece of how Godard uses the film media as his critical essay.