前(🈯)身(shēn )是皇軍軍(jun1 )港的吳港(🐽),戰後成(chéng )為船(chuán )塢(wù )工人的(de )生活煉獄。在(🕰)資本(🤴)家剝削(xuē )(🔧)和枯(kū )(🎹)燥(zào )生活的雙(shuāng )(🌰)重(🍖)煎(🔬)熬(🏴)下,躁(🥩)動(dòng )的年輕生命,一頭栽進暴力漩(xuán )渦,延擱成(🐿)長,終(zhōng )日在(zài )(🤷)打鬥、賭博(🕯)、酗(xù )(🙍)酒中尋找暫時的(de )麻(má )醉。吉田(📞)喜(🎿)重通過工頭之(zhī )眼,對不合理的(de )社會現實作出欲迎(yíng )還拒的(de )批判,被(bèi )視(🌚)為日(rì )(🚨)本(běn )新(⏯)浪(😞)潮代表作之(🦗)一。香(🌊)山美子飾(shì )演(🗞)純真的酒館女待,同情工人卻慘被強姦,正與負的能量,在(🧤)大時代中比拼(pīn )互滲,可有(🤳)超越對與錯,是與非的(🕯)位置?片(🤘)末火車(💝)站(zhàn )送別一場,在家(💍)和社會之間,吉田喜(xǐ )重作(🐨)出了左翼的選(xuǎn )擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007